Deals With a Digital
Devil--
Why the Astonishing Campaign of
Online False Witness
Against Bob Dylan Should Matter
to Us All
by Sand Sheff
Bob Dylan –All Along The
Watchtower (1967)
In 2009, a 41 second clip featuring American songwriter Bob
Dylan was uploaded to YouTube by an anonymously owned website known as
evilindustry.com—a site which showcases examples of "satanic"
influence (many legitimately disturbing) in pop culture. The clip had been
taken from a 2004 CBS Television 60 Minutes interview between journalist Ed
Bradley and Dylan. The 41 second clip in question was titled by the uploader:
“Bob Dylan Admits he Sold His Soul to the Devil”.
From that simple and grotesque beginning, that easy upload,
Dylan’s name has been smeared across the world in many Christian circles and
associated with all manner of evil in the entertainment industry. That original
clip (with the “sold his soul” tagline) has now been viewed over 2.5 million
times. It has also been copied and used as “evidence” in numerous other on-line
“documentaries” about the illuminati, devil worship in the entertainment
industry and so on. These add up to millions more views. It appears likely
that the snippet in question has been seen at least 6 million times, and the
real figure may well be much more.
It is interesting to compare the huge viewership of that clip to
the amount of YouTube views given to recorded live performances of his
Christian songwriting:
Pressing On has 40,000 views
Aint Gonna Go to Hell For Anybody has 6,500 views.
Saved has 131,000 views
Gotta Serve Somebody has
35,000 views
The sum of the views of his Christian work and message put
together apparently add up to less than a tenth of the viewership of the video
clip in question.
The most important impact of the libel is anecdotal. In
conversations among many Christians ( both in real life and online), it is now
apparently taken for granted that there exists a film clip online showing Bob
Dylan admitting to having sold his soul to the devil. As we’ll see when we read
the transcript, Dylan says no such thing. For anyone who is familiar with his
work, such an assertion is patently ridiculous. To those who have followed his
career, the video simply shows him to be referencing his allegiance to God in
an untypical, albeit awkward, fashion—sounding and looking like a man who truly
doesn't like to be on camera.
But a worldwide false witness machine churns on of its own accord, running on its own unstoppable algorithms, taking the mind of the human race with it. Its claims are being accepted by many folks, people who apparently want to believe Mr. Dylan said something he plainly didn’t or are too busy to question the information. The entire premise and execution of the slander may seem juvenile and unworthy of a response. In the old days, such an absurd allegation would have no place to spread and ignoring it would indeed have likely made it "go away". But these are the days of the computer network. I have come to the conclusion that the allegation is spreading rapidly and being widely (though obviously not universally) accepted, even by some intelligent people. These people perhaps do not see that someday this same machine may come for them, for their reputation, for their dignity, for their name.
But a worldwide false witness machine churns on of its own accord, running on its own unstoppable algorithms, taking the mind of the human race with it. Its claims are being accepted by many folks, people who apparently want to believe Mr. Dylan said something he plainly didn’t or are too busy to question the information. The entire premise and execution of the slander may seem juvenile and unworthy of a response. In the old days, such an absurd allegation would have no place to spread and ignoring it would indeed have likely made it "go away". But these are the days of the computer network. I have come to the conclusion that the allegation is spreading rapidly and being widely (though obviously not universally) accepted, even by some intelligent people. These people perhaps do not see that someday this same machine may come for them, for their reputation, for their dignity, for their name.
I feel driven to craft a response. First, I must say I think
that many people are genuinely concerned about the increasing appearance of
dark elements in modern media and entertainment. There is some very creepy
stuff being splashed across the screens of the world. But I believe that those
who are perpetuating the slander of Dylan are using people's legitimate
suspicions of the entertainment industry to falsely associate him with their
primitively frightening claim-that he is a surreptitious worker for the Enemy
of God.
This particular type of attack is unprecedented in its scope, in its unwarranted targeting of a much beloved poet and entertainer, and by the "Christian" orientation of many of the accusers. Politicians are expected to be the subject of such internet attacks, but those types of videos are so many and so varied (are they tyrants, aliens, reptiles, shapeshifters, etc?) that pretty much everyone takes such videos with a grain of salt. There is no real concept of libel when it comes to politicians--being the target of allegations is part of their job. There is something different about the attack on Dylan. For one thing, his songs often contain moral and spiritual dimensions to them. I'm not going to claim Dylan is some saint. I doubt he would be much fun to listen to if he was. But he's certainly not a proponent of the devil's business on earth. That much I will claim.
This particular type of attack is unprecedented in its scope, in its unwarranted targeting of a much beloved poet and entertainer, and by the "Christian" orientation of many of the accusers. Politicians are expected to be the subject of such internet attacks, but those types of videos are so many and so varied (are they tyrants, aliens, reptiles, shapeshifters, etc?) that pretty much everyone takes such videos with a grain of salt. There is no real concept of libel when it comes to politicians--being the target of allegations is part of their job. There is something different about the attack on Dylan. For one thing, his songs often contain moral and spiritual dimensions to them. I'm not going to claim Dylan is some saint. I doubt he would be much fun to listen to if he was. But he's certainly not a proponent of the devil's business on earth. That much I will claim.
The lessons that can be drawn from this uniquely modern slander
touch on many aspects of our culture, including our relationship with
music, celebrity, society, spirituality, technology and truth.
I will attempt to approach some of these issues as best I can.
I’m not a professional writer or academic and I’m certainly not a music critic,
nor do I ever want to be one. I'm an American songwriter, performer, and
laborer who personally believes in the truth of the Bible and also considers
himself a fair student of history, technology and culture, and the works of
Dylan. If you don’t believe the Bible, or if you don’t care for Dylan’s work,
that’s fine with me. I still hope you find interest in my primary
argument-that a worldwide machine of defamation and deceit has
clearly been established around us. This
development affects us all.
I don’t feel as though the works of Bob Dylan require a defense.
Defending him or his work is not exactly my point. But I still feel in my gut,
my spirit, that this particular libel needs a response, in particular a
Christian response. Once again, I don't feel you need to be a Christian to
understand or appreciate my arguments. I hope for my words to be of positive
effect to whomever may read them, and they have been written with that
intention.
Mr. Dylan, not surprisingly, hasn't addressed this slander against
him, nor can we even be sure he's aware of it. Nonetheless, as he's no doubt an
astute observer of society, he's surely aware of the exponentially increasing
power of the network itself. That power bodes ill for human freedom on many
levels. The ability to anonymously libel, slander, defame and humiliate is
built into the structure of the internet itself-and though everyone is perhaps
somewhat aware of this unpleasant truth, it's still one of the most
important lessons we can draw from this episode. In this essay, we will look at
the edited clip in question and compare it to other quotes from the interview (which itself
was edited). I will then look at what was said from a Christian and a logical
perspective. Next, I will attempt to offer samples of his work during his long
career. Finally I will look to draw some conclusions as to why this particular
slander took place. The final conclusions I draw about the nature of the
Computer Network may seem radical to some. Still, I hope that they will be
seriously considered.
First we will look closely but briefly at the accusation itself.
Here follows the entire transcript of the 41 second clip, courtesy of CBS News.
Narrator: So why is he still out there?
Dylan: "It goes back to that destiny thing. I mean, I made a bargain with it, you know, a long time ago. And I'm holding up my end- to get where I am now," says Dylan.
Narrator: And may I ask with whom you made the bargain?
Dylan: "It goes back to that destiny thing. I mean, I made a bargain with it, you know, a long time ago. And I'm holding up my end- to get where I am now," says Dylan.
Narrator: And may I ask with whom you made the bargain?
Dylan: (stuttering)"With the chief
commander," says Dylan, laughing.
Narrator: Of this earth?
Narrator: Of this earth?
Dylan: "Of this earth and the
world we can't see."
Let’s look at this exchange. First, does Dylan ever say he cut a
deal with the Devil? No. He states he made a bargain with "that destiny
thing". Let’s go back a few minutes in the same interview to where he
talks about destiny.
Narrator: What does the word
"destiny" mean to Dylan?
Dylan: "It's a feeling you have that you know something about yourself - nobody else does - the picture you have in your mind of what you're about will come true," says Dylan. "It's kind of a thing you kind of have to keep to your own self, because it's a fragile feeling. And if you put it out there, somebody will kill it. So, it’s best to keep that all inside."
Dylan: "It's a feeling you have that you know something about yourself - nobody else does - the picture you have in your mind of what you're about will come true," says Dylan. "It's kind of a thing you kind of have to keep to your own self, because it's a fragile feeling. And if you put it out there, somebody will kill it. So, it’s best to keep that all inside."
That may be a familiar feeling to many of us. In recent conversations I had with Christians (good people who do good work) concerning this video, they stated that “no Christian would ever say he cut a deal with God”. Well, maybe it’s true that they or their preachers wouldn’t say such a thing. But does that mean NO Christian would EVER use the word “deal” or "bargain" to describe his relationship with the Creator, or how about a Jewish person, for that matter? The word covenant is expressed throughout the Bible. What exactly is a covenant anyway?
Dictionary definition of covenant:
Covenant-noun: An agreement. Verb: agree, especially by deed, lease or written contract
A covenant is a deal. You do this and I’ll do that. Precisely
the "bargain" God offered the Children of Israel on Mt. Sinai with
the Ten Commandments. Isn’t that the dilemma of the prophets Ezekiel and
Jonah? If you read their prophetic books, it’s seems more than just
a bit of a “you do this or else” situation. Yes, it’s not totally New Testament
sounding, but it's still Biblical and a valid way of expressing a spiritual
relationship that by its essence is extremely difficult (if not almost
impossible) to appropriately put into words.
Next, he is asked with whom he cut the deal.
Dylan: The commander of this world and
the one we can’t see”.
Who is the Commander of this world and the one we can’t see? h
Here's the Bible.
“And Jesus came to them and said, ‘”all authority in heaven and
on earth has been given me’”---Matthew 28:18
Now we come to a sticky point of theology and human nature.
Who's in charge of the world? Is it God or the Devil? The devil is often said
in the New Testament as being in charge of the world, but most people believe
(as I do) that this is referring to the political, social and economic
structures of the world---"worldly" things. There are some Christians
throughout history who go much further than this and feel that the devil is in
charge of the entire natural world. I personally don't believe the Bible
supports such an idea. For one thing it leaves little room for the power of prayer,
or earthly space for the Holy Spirit to operate. For another thing, I see no
evidence of evil in flowers, clouds, babies, rocks or koala bears. God created
and remains in charge of the world. Evil is an energy that has been loosed upon
the world. I am not the only person to see things this way. It is the
fundamental tradition of all major religions. There is a darkness
that grows within and clings to various exhibitions of human power in this
world. But God is ultimately in charge.
"The decision is announced by messengers, the holy ones
declare the verdict, so that the living may know that the Most High is
sovereign over all kingdoms on earth and gives them to anyone he wishes and
sets over them the lowliest of people." Daniel 4:17
In the conversations I've had and in commentary available
online, it is asserted (paraphrasing) that “no Christian” would call God a
"chief commander", as Dylan does, because only Satan uses military
terms. I deeply disagree. Jesus himself says he brought not peace, but a sword.
In Revelations, Christ is portrayed as a Conqueror. In Revelations, war breaks
out in Heaven. The psalms are filled with imagery of war. Paul says "put
on the full armor of God" (Ephesians 6) Spiritual war against evil is how
it must be overthrown. Dylan has referred to God or Jesus as a “Captain” (
Lonesome Day Blues -2001).
The most common refrain of anonymous internet commentary and
real-life conversations concerning this video is that “no Christian would say
things this way”. There is something disconcertingly familiar about the
implicit demand that others express themselves exactly the way you do or be
condemned as heretics or witches. While it is undoubtedly true that no
Christian would swear allegiance to Satan (“you cannot serve two masters” Jesus
said), is it really true that absolutely no Christian ( or Jewish person) would ever say he cut a
deal with destiny or refer to God as his Chief Commander? The claim seems to be
that if you don't say things just the way these folks and their pastor do, you
serve the devil. The strain of the effort to create and sustain this false
witness is palpable. It would be laughable if we didn't also see where this
love of false judgment could be headed, to a worldwide Salem witch trial where
we all have to watch what we say. The judges at such trials are rarely doing
God's work, to put it mildly. The devil has regularly put self-proclaimed
"christians" to work doing his business for him. Surely, after
centuries of genocides, slave trades, crusades, conquests and bloody inquisitions,
both grand and petty, we can at least agree on that. A little self-reflection
might go a long way towards potentially understanding the true will of the
Creator-as well as understanding the psychology of the urge to condemn others.
There is an element of envy and hatred in the condemnation and false
judgment of others, and those that find themselves the targets of such irrationality and cruelty
throughout history are often the most intelligent and creative members of
society.
Now, back to the interview. Dylan says he cut his deal with
destiny “To get where I am now”.
In online commentary, this has been leapt upon as referring to
Dylan’s fortune and fame, that being the apparent reason for “selling his
soul”. But any knowledge of Dylan’s music and personal history reveals someone
who is almost certainly uneasy about fame and fortune—he’s not
exactly one to be seen at all the big celebrity parties, does not appear to
have a taste for fast cars, and has repeatedly turned his back on mass market
expectations at the peaks of his fame, most notably by ceasing to be a rock
star in 1966 and by becoming a born-again Christian in 1978. More importantly,
he has consistently refused to be seen as a prophet, or "special", or
even a spokesman. He does not want to be "followed" or held up as a
leader for any cause, political, religious or otherwise. Given his propensity
for speaking truth humbly in the face of mockery and ignorance, “where I am
now” would more likely be referring to his position as a respected voice in the
world, or just simply his gratitude in remaining alive and active at an
advanced age.
Viewing the clip without the tacked-on filter of the “sold his
soul” title, one might merely, as I and many others do, see a shy aging man
attempting to warily describe to a prying newsman something he has perhaps
never publicly verbalized before—how he conceives of his relationship with God
and his own destiny.
Sure, maybe he didn’t say it just “right”. Maybe he didn’t think
his analogy completely through before he spoke, or take some televised
opportunity to call Jesus "Jesus" or whatever everybody thinks he supposed to do—maybe he didn’t foresee how anyone would be looking for just such a moment, such a “misstep”. Maybe he
was thinking he was still in another time, a time when we didn’t have to watch
every word we uttered quite so carefully—before it all could be captured on
video, edited and manipulated and circulated indefinitely with some leading,
libelous tag attached. If we cannot see how this type of foul focus could be
brought to bear on our own lives and statements and missteps, then we are
fooling ourselves about the powers of the consolidated computer network.
Let’s return to the interview. Here is a quote from earlier
in the exact same interview.
Dylan: "The press, the media,
they're not the judge - God's the judge,"
Would someone who announces he has sold his soul to the devil
proclaim just moments before that God is the ultimate Judge? He had already set
the context of his later statements, and plainly stated who he believes is in
charge of the world in the exact same interview the libelous snippet is taken
from. The snippet was removed out of context to paint him as something he is
not. Someone could do the same thing to any of us with equal effectiveness.
In the spreading of this “viral” video, we are witnessing an extraordinary
modern version of an ancient false witness. I believe that is irrefutable.
For one thing, the whole idea of “selling your soul” in some
literal Faustian pact with a tangible devil may be theoretically possible (Satan's
temptations of Christ come to mind), but it just seems a bit
far-fetched in the case of someone whose work is so obviously humane and intelligent as Dylan.
Let's look at the "sold your soul" motif as it relates to music
and The Bible. The most famous reference to this in history comes from the
mouth of Jesus.
"For what does it profit a man to gain the whole world and
lose his soul." Mark 8:36
The most common ways of selling your soul in this world, the
ones Jesus most preached about, are old fashioned greed, hypocrisy and the love
of power. There is plenty of that going on all around us.
In popular music, the idea of selling ones soul for musical
prowess goes back to an old slander about the 1930's bluesman Robert Johnson,
whose gifts on the guitar supposedly came from him making a pact with Satan at
"the crossroads". Not surprisingly, there is absolutely no genuine corroboration
of this claim. It is just an odd myth, smacking of envy and even racism, that
has been repeated enough times to gain some slight measure of anecdotal respectability.
Here's the first lines from Robert Johnson's "Crossroads":
I went to the crossroad, fell down on my knees
I went to the crossroad, fell down on my knees
Asked the Lord above "Have mercy, save poor Bob, if you please"
I went to the crossroad, fell down on my knees
Asked the Lord above "Have mercy, save poor Bob, if you please"
crossroads--c.1936
The song itself recounts begging God for
mercy. It seems odd how the substance of his plea has been ignored. Instead his
short life and impressive music are recast in an ugly and patently false light.
A variation of that phony mold has been used to slander certain popular musicians
ever since. His songs are certainly dramatic. But just because he sings that
"there's a hellhound on my trail" doesn’t mean that he worships Satan.
It likely means that he was in the same boat as the rest of us, in a world
filled with temptations and trials.
Now, there is definitely an undercurrent of
dark worship that has made itself known as Rock music splintered into the
dozens of sub-genres we are familiar with today. Some early hard rock and metal bands,
though probably not specifically involved in any devil worship, surely paved the way
for the explicitly satanic messages currently available in the
"music" of hundreds of "death metal" bands, none of whom I
care to address by names. More insidious are the increasingly dark occult and
transhumanist trappings in the videos and performances of mainstream pop celebrities,
culminating in the recent Grammy ceremony that opened with a human sacrifice
and went on to give awards to "robots".
No one I have read claims Dylan's music resembles death metal.
So why was Mr. Dylan targeted? Who or what would have an interest in such
a targeting? Perhaps more importantly, what does it mean for us all that this
type of character assassination may await even the most cherished and
forthright of social and spiritual spokesmen? What does it mean that so many of
us are so quick to believe an obvious lie?
Why Dylan? There's a reason, I
believe. My explanations may be tough to hear and harder to accept but I hope
you will hear me out when I get there. First though, it only seems fitting that
we briefly survey the works of Mr. Dylan as they relate to this topic.
Jesus exhorts us to judge a man by his
fruits.
“Ye shall know them by their fruits. Do men gather grapes of
thorns, or figs of thistles? “ Matthew 7:16
Judge a man by his works.
From later in the Gospels, when the Pharisees seek to stone
Jesus, comes this vital rephrasing of the same idea.
"They took up stones again to stone him. Jesus answered
them, 'I have shown you many good works from the Father; for which of these do
you stone me?' John 10:31
For which of Dylan’s works do his accusers seek
to stone him?
Of course, Jesus was ultimately condemned at trial for “saying
the wrong thing”.
“Then the high priest tore his robes and said, "He has
blasphemed! What further need do we have of witnesses? Behold, you have now
heard the blasphemy; what do you think?" They answered, "He deserves
death!" Mathew 26:65
That same self-righteous unreflective intensity expressed at the
trial of Jesus, that same base envy of wisdom and popularity, pervades the
caustic commentary of many of Dylan's online denouncers, the ones who have
claimed he "sold his soul".
The most powerful example in The Bible of selling one’s soul is
Judas Iscariot, who betrayed Jesus for 30 pieces of silver. Dylan has been
famously called "Judas" before in a recorded and filmed incident, by
an Englishman at a 1966 concert who appeared upset with Dylan's electric music. Dylan responded:
"I don't believe you. You're a liar."
The online commentators who spread the libel of Dylan are
selling him out not even for money, but for online view counts,
for the fleeting sense of self-importance awarded by the algorithmic totals of
the network.
Judge a man by his fruits, not by some anonymous
interpretation of an out- of- context quote posted on an unbelievable
machine. It would seem right and fair to offer this same latitude to anybody.
Do we condemn our friends and family for something we think they said? Or do we
try and figure out exactly what they said and put those words in a larger
context of what they have said and done in the past? This is the wise and
decent route, but one that is quickly abandoned in the post-modern binary
hyperspeed universe.
When looking
at works, I would think one would skip his interviews (he can be evasive and cynical--even a bit profane--during interviews-gasp...). It seems like his works would be what he is
most famous for, what he intended for the public to hear—that would be his
songs and his performances.
Please bear with me as we quickly survey a timeline of Dylan's
career. I will quote some material Dylan has written or sung that has religious
aspects. Of course, much of his material are love songs, cultural
commentary, story songs, poetry etc…Still, I challenge anyone to find any truly
satanic material in Dylan’s career. He has confronted and described in detail the
darkness at times, and cast a light on troubled frames of mind and spirit, but
you will not find him embracing evil, celebrating it or advocating others to
find petty power in greed, lust or oppression. I know this all is pretty obvious but I'm just saying it one last time for the record. He's one of the good guys, dang it.
His first album (Bob Dylan- put out when he was 21)
contains two traditional gospel songs, Gospel Plow and In my Time of
Dying-
“Meet
me Jesus, meet me. Meet me in the middle of the air.
And
if my wings should fail me, won’t you please bring another pair?”
(In
My Time of Dying-1962)
That is a pretty extraordinary debut statement to be
made by a Jewish kid from small-town Minnesota. Was it at this moment that
those who defame him claim he had given his soul to Satan? It seems more likely
that the opposite was true and his career was blessed for his early
witness.
His next album (Freewheelin’ Bob Dylan in 1963) contains
one of the most famous and beloved songs of modern times “Blowin in the
Wind”. You might think that no one would possibly argue that such a wise
and gentle song about justice and peace, one that has been adopted by so many
gospel singers and the civil rights movement, could possibly be satanic.
You would be wrong. Astonishingly, there is a website and a You Tube video with
more than a million views that directly implies just such a thing. The site
claims Dylan was possessed by demons when he wrote Blowin in the Wind and
other songs. It also implies that such inspiration is commonplace in the
musical community.
On that same 1963 album are two other unprecedented indictments of injustice and oppression—“Masters of War” and “Hard Rain’s Gonna Fall” –as well as love songs and some funny songs too.
On that same 1963 album are two other unprecedented indictments of injustice and oppression—“Masters of War” and “Hard Rain’s Gonna Fall” –as well as love songs and some funny songs too.
1964’s Times They are a Changin’—famously quotes Jesus.
“The first one now will later be
last”
“When The Ship Comes
In“ recounts the Old testament.
“like Pharoah’s army they’ll be drowned in the tide, and like
Goliath they’ll be conquered. "
Does someone who has "sold his soul"
acknowledge such stories of the Bible in this way? Do they sing against
the oppression of America's blacks and poor as Dylan does on Lonesome Death
of Hattie Carroll, Only a Pawn in Their Game, or Death of Emmett Till?
1964 also brings the song, “I’d Hate to be you on that
Dreadful Day.” a sentiment that perhaps should be shared with those who
knowingly perpetuate the libel of Mr. Dylan.
"Well, your clock is gonna stop at Saint Peter’s gate
You are gonna ask him what time it is- he’ll say, “It’s too late”
You’re gonna yell and scream: “Don’t anybody care?”
You’re gonna hear a voice say
“Should've listened when you heard the word down there”
Hey, hey! I’d sure hate to be you
On that dreadful day"
I'd hate to be You on That Dreadful Day--1964
"Well, your clock is gonna stop at Saint Peter’s gate
You are gonna ask him what time it is- he’ll say, “It’s too late”
You’re gonna yell and scream: “Don’t anybody care?”
You’re gonna hear a voice say
“Should've listened when you heard the word down there”
Hey, hey! I’d sure hate to be you
On that dreadful day"
I'd hate to be You on That Dreadful Day--1964
His next albums (1964 to 1966) are filled with social observation and musical poetry. They are not necessarily religious songs, but are still deeply honest poetry. Mr. Tambourine Man, It’s Alright Ma, Like a Rolling Stone, Sad-Eyed lady of the Lowlands. None of these songs proclaim allegiance to the darkness. They describe elements of the human condition that had been largely unexamined in our musical traditions. He used a rock band sometimes, but that is not by itself evil. So do most modern Christian artists. He abruptly quit being a rock star at the height of his fame in 1966 and didn’t tour again for years.
Dylan never made “psychedelic”
music by any musical standard. His music has remained consistently folk,
country and blues based, with significant contributions from various popular
traditions. He did not appear at Woodstock (even though he lived essentially
next door at the time) and intentionally distanced himself from the hippie and
radical movements, choosing instead to live quietly and raise his children.
In 1967, a time when most bands were making heavily distorted sounds or psychedelic music. Dylan was starting a family and making simple folk based songs. The songs are essentially humane and decent
In 1967, a time when most bands were making heavily distorted sounds or psychedelic music. Dylan was starting a family and making simple folk based songs. The songs are essentially humane and decent
(I Dreamed I saw St.
Augustine, I Pity The Poor Immigrant, All Along the Watchtower). Obscure
sometimes, but Dylan is not the first poet to write in parables. His music from
1967 to 1972 is largely country music, much of it recorded in Nashville.
From 1970:
“ Father who takes the darkness
away, builder of rainbows up in the sky…Father whom we most solemnly praise”
From album New Morning
1973 --here's a song for his
children. This is the first line:
"May God Bless and keep you
Always...
....May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the Light surrounding you"
May you grow up to be true
May you always know the truth
And see the Light surrounding you"
Forever Young
From Knocking on Heaven’s Door… (1973)
“ Mama put my guns in the ground, I can’t shoot them anymore,”
I do not see how a Prince of Darkness could be capable of
inspiring a song that has touched and consoled so many people as Knocking on
Heaven’s Door has. Asserting heaven as a reality would not seem to be a
priority for Beelzebub. This also happens to be one of the first real songs I
ever learned to play on the guitar as a young kid. It matters to me
deeply. I believe it probably also encouraged me to not dismiss the Bible and
to think about God even though I had a hard time with some of the people in the
churches of my little town. I doubt I am alone in the impact of Mr. Dylan’s
work.
In the mid 1970’s Dylan’s songs were colored by tough events in
his personal life, but never can you find him cursing God or advocating suicide
or revolution or murder. They are just songs, often beautiful or difficult
and always interesting.
In 1979, Dylan went public with the fact that he now believed in Jesus Christ. I saw him go on Saturday Night Live when I was a kid and
sing “Gotta Serve Somebody”
“It may be the devil, or it may
be the Lord, but you’re gonna have to serve somebody”
I was just a 12 year old kid in
rural Oklahoma but I still see it now clearly in my memory. There was this man
on my fuzzy TV screen who I’d never seen before. He looked like a rock star. But he wasn't singing about what the rock stars usually sing
about. He was talking about God and the devil. What an act of fortitude to
demonstrate on national television.
Dylan remains the most influential performer in history to ever
publicly proclaim the truth Jesus Christ at the height of his fame and begin
producing work solely based on that relationship. And he was Jewish to boot!
Not only that, but the songs he created were not some banal, recycled praises.
Instead they were original, powerful, scriptural and apocalyptic- often
directly referring to the second coming of Christ and God’s Judgment on this
world.
He put out 3 albums of gospel music (Slow Train Coming,
Saved, Shot of Love).
He wrote songs like “Saved” (1980)
“I’ve been saved by the blood of the lamb”
“Pressing On” (1980)
“Pressing On to the higher calling of my Lord”,
“In the Garden” (1979)
“When they came for Him in the
Garden, did they know?
Did they know He was the
Son of God?
Did they know he was the Lord?”
When He Returns (1979)
“For like a thief in the night,
he’ll trade wrong with right, when He returns”
—also, When You Gonna Wake Up? Covenant Woman, Property of
Jesus, Every Grain of Sand and dozens more.
Some people claim he refuted his faith after those albums, but
there is little or no proof in his work for that. There does seem to be a
likelihood that he became disillusioned with the church, but that hardly seems
like a fault. Some of the truest believers I know are disillusioned with the
Church. It also appears that he made a choice to write his songs in a less
directly evangelical fashion—more in parable style—and return to the freedom of
singing about lots of different topics and songs from his earlier career. Hey,
it’s a free country. He is who he is. He can do what he wants.
The fact remains that the songs of Bob Dylan have probably
gotten more people to pick up the Bible than any other popular entertainer in
history. Johnny Cash (Dylan's close friend) might be right up there in a close
second. Both Dylan and Cash not only reaffirmed the faith of millions but
encouraged millions more to consider their own spirituality and relationship to
God.
His first “post-Christian” album is actually quite Christian…”Infidels”
from 1983 contains brilliant apocalyptic songs like Man of Peace”
“sometimes Satan come as a man of Peace”,
Jokerman:
“ A woman just gave birth to a
prince today and dressed him in scarlet.
He’ll put the priests in his pocket, put the blade to the heat,
take the motherless children off the street and
place them at the feet of a harlot”
This stuff is straight from Revelations.
He’ll put the priests in his pocket, put the blade to the heat,
take the motherless children off the street and
place them at the feet of a harlot”
This stuff is straight from Revelations.
License to Kill
“well he worships at an altar of
a stagnant pool,
and when he sees his reflection, he’s
fulfilled”
-aint it true, Bob.
Infidels also contains the only world famous rock song defending
Israel’s right to exist-- Neighborhood Bully, and one of the best
musical critiques ever written against the policy of sending American jobs
overseas—Union Sundown. None of these concepts seem like they would be
high on the priority list for the high chief of Hades.
Dylan made some unsuccessful albums in the mid 80’s, but there
are still some great songs and great statements of faith and truth.
“I saw thousands who could’ve overcome the darkness; For the
love of a lousy buck I watched them die”
When the Night Comes Falling From The Sky 1985
When the Night Comes Falling From The Sky 1985
Nowhere in these works (and trust me, I have searched)
can I seem to find a place where he denies the power of God or
asserts anything else but a fundamentally moral (though often world-weary and ironic) view
of the human condition.
1988--Death is Not the End
“Oh the Tree of Life is growing where the spirit never dies—and the bright light of salvation shines in dark and empty skies”
“Oh the Tree of Life is growing where the spirit never dies—and the bright light of salvation shines in dark and empty skies”
1989’s Oh Mercy
“ Ring them bells, Saint Martha, for the poor man’s son; ring
them bells so the world will know that God is One” (Ring Them Bells)
“If I shut myself off so I can’t hear you cry, What Good Am I?”
(What good Am I)
“If I shut myself off so I can’t hear you cry, What Good Am I?”
(What good Am I)
1990 Under the Red Sky
“God knows there’s a purpose. God
knows there’s a chance. God knows you can rise above the darkest hour of any
circumstance”
(God Knows)
It would take a pretty cynical mind to claim that these are the
words of someone who doesn’t believe in God, much less someone who actually
worships the enemy of God and has taken a lifelong vow to that end. Yet
apparently there are those out there who would quite seriously go that far.
They have set forth on a campaign of false witness, attempting to direct
Christian conversation in this world-and there is evidence that they are
beginning to succeed. We will take all this back up in a minute, but first
let’s continue to survey Mr. Dylan’s works up to the present day.
In the early 1990’s he put out two albums of song covers, mostly
traditional songs--like Shenandoah, Hard Times, Diamond Joe. Dylan is
quite the musical historian and a solid interpreter of other folk’s songs as
well.
In 1997, he released Time Out of Mind
“ There’s things I could say, but I don’t. I know the mercy of
God must be near.” (Not Dark Yet)
“ I’ve been all around the world, boys, now I’m trying to get to
Heaven before they close they door,” (Tryin’ to Get to Heaven)
His next work, Love and
Theft, was released on Sept.11th 2001. The final verse of the
album says this:
“Look up, look up, and see your Maker, for Gabriel blows his
horn,” (Sugar Baby)
Make of these things what you
will, but you might want to think twice before you call him dirty names.
2006 brought Modern Times, “Beyond the Horizon”, “Thunder on the Mountain” and “When the Deal Goes Down”. There’s that “deal” phrase again. but it’s a great song and obviously an ode to life, Judgment Day, God and love.
2006 brought Modern Times, “Beyond the Horizon”, “Thunder on the Mountain” and “When the Deal Goes Down”. There’s that “deal” phrase again. but it’s a great song and obviously an ode to life, Judgment Day, God and love.
" We learn to live, and then we forgive; o'er the road we're bound to go.
More frailer than the flowers,
these precious hours
that keep us so tightly bound.
You come to my eyes like a vision from the skies and
I'll be with you when the deal goes down."
If there was any doubt about where Bob Dylan stands, he actually put out a pretty darn good Christmas album in 2009 and donated all his royalties from the album to charities to feed the hungry.
that keep us so tightly bound.
You come to my eyes like a vision from the skies and
I'll be with you when the deal goes down."
If there was any doubt about where Bob Dylan stands, he actually put out a pretty darn good Christmas album in 2009 and donated all his royalties from the album to charities to feed the hungry.
It seems unlikely that many
cold-blooded Satanists are out there singing Oh little Town of Bethlehem and
Hark the Herald Angels Sing with all his heart and ragged voice
like this old man does.
Finally now he’s in his seventies, singing about the Titanic on
his album Tempest (2012).
The watchman, he lay dreaming
The damage had been done
He dreamed the Titanic was sinking
And he tried to tell someone
The captain, barely breathing
Kneeling at the wheel
Above him and beneath him
Fifty thousand tons of steel
He looked over at his compass
And he gazed into its face
Needle pointing downward
He knew he'd lost the race
In the dark illumination
He remembered bygone years
He read the Book of Revelation
And he filled his cup with tears
When the Reaper's task had ended
Sixteen hundred had gone to rest
The good, the bad, the rich, the poor
The loveliest and the best
They waited at the landing
And they tried to understand
But there is no understanding
On the judgment of God's hand
The news came over the wires
And struck with deadly force
Love had lost its fires
All things had run their course
The watchman he lay dreaming
Of all the things that can be
He dreamed Titanic was sinking
Into the deep blue sea . (Tempest) 2012
The damage had been done
He dreamed the Titanic was sinking
And he tried to tell someone
The captain, barely breathing
Kneeling at the wheel
Above him and beneath him
Fifty thousand tons of steel
He looked over at his compass
And he gazed into its face
Needle pointing downward
He knew he'd lost the race
In the dark illumination
He remembered bygone years
He read the Book of Revelation
And he filled his cup with tears
When the Reaper's task had ended
Sixteen hundred had gone to rest
The good, the bad, the rich, the poor
The loveliest and the best
They waited at the landing
And they tried to understand
But there is no understanding
On the judgment of God's hand
The news came over the wires
And struck with deadly force
Love had lost its fires
All things had run their course
The watchman he lay dreaming
Of all the things that can be
He dreamed Titanic was sinking
Into the deep blue sea . (Tempest) 2012
So here we are arranging digital deck chairs on our Titanic
while the old man bids us adieu. It is that same old man who has been singing
to us for fifty years while this final machine was installed, consoling us with
truth in song. His work told us to be strong in the face of oppression, to
stand up for right, to hold tight to God. Now an automatic algorithm bearing
greasy false witness is the earthly reward for his efforts and dignity.
His name defamed, his wisdom largely ignored, his work generically and
automatically insulted in the world of likes and views and shares. He has probably
learned to expect nothing less from the satanic computerized mill.
Thus ends my brief summation of the progression of Mr. Dylan’s
“fruits”, his work on earth. It is the slimmest of overviews. His songs are in
the hundreds and have helped many a soul through many a dark night. Do his
anonymous slanderers have a greater volume of contributions they wish to share
with us? What souls trapped in personal anguish have they inspired to keep
“pressing on” as Mr. Dylan has consistently done for years? He has stood
up against the machinery of war and death, spoken out against prejudice and
oppression. And he has publicly stated that Jesus is the way.
Those who have slandered him have an opportunity to apologize
and withdraw their slander, or be forever associated with it. My hunch is that
they will not remove their videos, but you never know. By now this libelous
viral video has a life of its own, is translated into Spanish, and appears in
perhaps dozens of internet documentaries—included as yet another
"damning" piece of "evidence" against the entertainment
world in general.
One of the unfortunate parts of this episode is that much of
what is said in these documentaries about the entertainment industry is
valid. There is a dark and ugly wind blowing across the televised stages
of the brave new world. It is expressed in pop culture and music with
ever-increasing brazenness. It needs to be addressed and confronted. But leave
Mr. Dylan out of it. He deserves far better than this. Those who include him as
evidence of devil-worship in entertainment demolish their own credibility, and
thus drive untold thousands away from their more justified assertions.
To misrepresent another is false witness, a sin so drastic it is
included in the Ten Commandments alongside murder and idol worship.
The ability to effectively libel others anonymously in
cyberspace is a very recent development, one that has bearing on all our lives.
Young people all over the world are killing themselves after being
"cyber-bullied". Honest citizens are having their lives ruined by
anonymous slanderers. Businesses are at the mercy of hostile, often phony,
"reviews". The search result with the most views attached or the most
money behind it becomes what passes for the "truth". The power over
reputation and the ubiquity of the surveillance state have combined to create
the ultimate social control mechanism. It is already affecting the behavior and
judgment of people all over the world. It is changing our society in ways we
are only beginning to understand. We need to see how falsehoods of all stripes
can and will be spread through the network as it continues to create its alternate
reality.
The network is an extremely dangerous place for the human race
to place its trust, from a spiritual perspective in particular. But to
understand why I believe this so strongly I find it necessary to once
again ask the question:
Why was Bob Dylan singled out for such an attack?
Dylan is not just your average celebrity. We are encouraged to think of musicians as just celebrities (or worse, "idols") but they are not. A gifted musician is not the same as an actor, politician or business tycoon. Musicians are different and we instinctively regard them as different. Even children do. How so and why?
Why was Bob Dylan singled out for such an attack?
Dylan is not just your average celebrity. We are encouraged to think of musicians as just celebrities (or worse, "idols") but they are not. A gifted musician is not the same as an actor, politician or business tycoon. Musicians are different and we instinctively regard them as different. Even children do. How so and why?
A musician's work is unique, because the art they create is
intended to be given away in the most fundamental way. They give us
"our" songs. Their songs become our songs. Anyone who has experienced
the power of music, which is most people, knows this feeling even if they have
not expressed it. Singing a powerful hymn at church does not make you
contemplate the author. It just makes you sing. Singing your favorite song in
the car at the top of your lungs is a prime example of the song becoming
"your" song. "It's my favorite song", you might say.
Music is from a place beyond time and authorship and self-consciousness. It
takes us to a comforting spiritual place beyond time and self-consciousness. It
takes us into the experience of spirit. That is why good music is often seen as
coming from the Spirit of God Himself, and not as the result of some odd
biological aberration. It is a comfort. We believe in music, often more than we
believe our favorite preachers or even our parents. Music is like a friend that
often "knows" us better than anyone else. That is why we associate it
with a supernatural honesty. There is an inherent graciousness in music,
something that makes it different from all other art forms-and something that
makes those excel at it different from some TV celebrity or politician. To be
truly great, a musician must surrender to inspiration. Where that inspiration
comes from then becomes the issue.
Bob Dylan is regarded by many as one of the greatest songwriters
of our time. Indeed, he is often called THE greatest songwriter of the modern age.
He certainly has tremendous melodic and lyrical gifts. Obviously his voice is
not easy for some to enjoy, but the harsh qualities of his voice have lent
it a sense of honesty to many listeners, myself included. There are perhaps
millions of souls (religious and otherwise) who find Dylan one of the ONLY
voices they trust to emerge from the world of entertainment.
Please listen, there is still such a thing as truth, even in a
world seemingly at the mercy of lies. Furthermore, there is a way to convey
truth through music. This is vital to remember. The Psalms of the Bible were
songs. King David was a songwriter. David was also very much just a man; a man
with some serious faults and innocent blood on his hands. That does not
mean that the psalms he composed were phony. Far from it. Indeed, it was his
humanity that helps make the psalms sound honest. They become our psalms.
Their inherent believability is one of the chief reasons they form
the foundation of much of Judeo-Christian praise. The psalms are not
uniformly joyous. They are often tense, with the narrator questioning God as to
why He will not intercede on behalf of his people. They "wrestle"
with faith like we do and ultimately bear witness to a power that seeks not dull-witted
blind devotion, but wise commitment to His Will. They make sense to us down
here. One of Jesus’ last words on the cross are from a Psalm of David’s:
“My God, My God, why has thou forsaken me?” (Psalm 22).
Jesus (and David’s) cry of anguish is a song. It is also one of
the most stunning and profound moments in the testament of any religion
anywhere. It cements the honesty of the account of Jesus’ life and death. The
pain of those words and that sentiment rings TRUE. These are truths
conveyed in song. We need to remember that truth can be conveyed in song.
Truth is not necessarily conveyed by platitudes of praise,
though one might think that's all there is if you listen to contemporary
“christian” radio, a corporate construct, where one will wait in vain
to find authentic, deeply human gospel music on a par as that which
has already been made by artists such as Dylan, Johnny Cash, Hank Williams and
many others. Instead Contemporary Christian music is about the
"hits", just like pop music. Out with the old, in with the new—as long
as it sounds gooey. Jesus said:
"Not everyone who says to me, ‘Lord, Lord,’ will enter the
kingdom of heaven, but the one who does the will of my Father who is in
heaven."
Matthew 7:21
Just because we tell everyone we are Christians (crying “Lord,Lord”) or claim we are saved or go to church every Sunday does not necessarily mean we are doing the will of the Father in Heaven. Upon this crucial reality, this narrow gate, this difficult distinction, apparently hinges eternal life.
Just because we tell everyone we are Christians (crying “Lord,Lord”) or claim we are saved or go to church every Sunday does not necessarily mean we are doing the will of the Father in Heaven. Upon this crucial reality, this narrow gate, this difficult distinction, apparently hinges eternal life.
Jesus was unique in his ability to convincingly convey truth and
still not be a sinner-though he chose to walk with sinners. Indeed, Jesus was
unique however one wishes to view Him, His words and His story.
But as vital as the words of Jesus Christ are to us, it's still
just human nature that most of us like to listen to regular singers
(sinner/songwriters-hah, hah) too. These are folks who sing songs we can
recognize- reminding us of truth as it relates to the present moment we live
in. They remind us of feelings of love, expressing our sadness for us, giving
us soundtracks of triumph and happiness and feelings of all stripes that cannot
be verbalized but are still necessary. These singers do their calling with
varying degrees of success, talent and honesty. Bob Dylan struck a chord with
millions of people, not because he was possessed by the devil or because his
fans were just a bunch of deluded drug addicts, but because he was honest, and
he sounded honest. He was able to transmit truth to us so that we did not feel
alone down here in this story. That does not make him better than other men,
but it does make him different than most men, putting him in the company of
other good singers, songwriters and psalm-writers. Most men are simply unable
to convey that type of truth convincingly, consistently or in a
particularly unique manner.
In my belief system, the only power which can
be used to convey such truth must come from the Spirit of God—the Holy
Spirit. That spirit is not uniquely accessed by Bob Dylan or your preacher. It
is available to all.
Why was Bob Dylan singled out to be insulted, defamed?
What is the worst thing you could say about a man who is trying
to do the will of God? Who is struggling to convey truth? You would say that he
is possessed, that he has sold his soul to the devil.
That is what they said about John the Baptist. That is what they
said about Jesus. And that is what they say about Dylan (Trust me-I’m not
comparing him to them, just comparing the responses of men to their work!). I
am sure the ancient accusation of demonic possession is what they and IT (the
Adversary, The Accuser) will say about us if we stand up to the devil on earth.
Why Bob Dylan?
Bob Dylan is not just a great songwriter, my friends, and he's
not just a great religious songwriter—though I think he's superbly used
Biblical references and imagery throughout his career. I don’t think it's just
his "faith" that's brought on
this new unprecedented technological campaign of defamation. Something much
more specific and dangerous to the Dark side was seen in his work; something
that's perhaps angered that Darkness-if you place stock, as all major religions
do, in this world being a battleground between the forces of Good and Evil.
Please listen to me now. What has really made Bob Dylan most
unusual? There are plenty of good rock and rollers, country stars, social
'protest' singers etc...Why was he unique? Here’s a shot at it. Bob Dylan is
our greatest, most respected and most heard apocalyptic songwriter.
In fact, he is undoubtedly the most widely heard apocalyptic poet
--not just of our lifetimes, but of the modern age. There is no other public
figure that even comes close to his audience and impact. Hardly anyone even
tried. As the end times kept approaching, and the ultimate machine of our
deception was being created, as the beast of war and lust and greed and power
cemented its earthly power, no entertainer or artist with a broad public forum
(meaning truly worldwide) really spoke out consistently about these matters but
Bob Dylan. Johnny Cash definitely tried at times. Hank Williams too. But surely
both of them would cede to Dylan the position of premier apocalyptic poet of
our time. He was the most important modern reminder to the world that there
really will be a Judgment Day, and that the idea of Eternal Justice is vital to
justice being done here on earth. His songs also reminded us that certain signs
will accompany the coming of a prophesied beast- a beast that glorifies
itself as a god while it throws the world into slavery. Dylan saw and surely
continues to see the Bible as a living document that refers to the world of the
here and now. He believes in the Bible, as many of us do, not just as a
blueprint for personal salvation, but as a warning of the struggles that await
us in the end times.
That is why the beast hates Dylan, because Dylan warned us about the coming of the beast. Bob Dylan's music told us to pick up our Bibles and read for ourselves about this. Some of us listened. And I for one might not have made it through all those dark nights of my soul intact if it hadn't been for the honesty and encouragement of his music. That's why I choose to denounce the unholy slander of Mr. Dylan, for whatever it may be worth.
That is why the beast hates Dylan, because Dylan warned us about the coming of the beast. Bob Dylan's music told us to pick up our Bibles and read for ourselves about this. Some of us listened. And I for one might not have made it through all those dark nights of my soul intact if it hadn't been for the honesty and encouragement of his music. That's why I choose to denounce the unholy slander of Mr. Dylan, for whatever it may be worth.
The devil uses his new machine of false witness, deception and total
control to lie about Dylan and manipulate his words- saying in a brazen lie
that Dylan is a servant of the same darkness he has spent his whole life
singing against.
From the beginning of his career Dylan
has cursed the works of the devil, sang against tyranny over the mind and
body of man, praised
God and asserted that our actions on planet
earth will be brought
into
judgment by that God. Starting in 1979, when he began a
closer
relationship with Christ, he began to sing even more clearly
about
the signs that will close the age:
“Are you Ready to meet Jesus? Are you ready for that judgment?
Are you read for that terrible swift sword?
Are you ready for Armageddon?
Are you ready for the Day of the Lord?—I hope you’re ready.”
(Are you Ready 1979)
Dylan
warned us how the phoniness of the media and entertainment industry was trying
to sell us a lie about who we are and what this life
was
about—how it also conspired to shut us up.
“They got some beautiful people out there, man.
They can be a terror to your mind and show you
how to hold your tongue.
They got Mystery written all over their forehead.
They kill
babies in the crib and say ‘only the good die young’”
Foot of
Pride—1983
What do those who have defamed Dylan say about his musical
gifts? Apparently, they say he was possessed by dark spirits or was channeling
demons. Some man whose real name may or may not be Scott Webb (whose post on
this matter has more than 1.2 million views) has put up a youtube video
with this very assertion,
using the disingenuous title of :
using the disingenuous title of :
“Bob Dylan interview and a very revealing one at that”.
Beneath the title he says in a classically creepy backhanded
way, “interesting for those who see
the common thread of celebrities channeling or being possessed by spirits.” Yuck.
What is his proof for the monstrous claim that Dylan is
channeling demons? It is the fact that Dylan says (in that same 60 Minutes
interview) that he wrote “Blowin’ in the Wind” in 10 minutes. Then Dylan
happens to say many of his songs come from some wellspring of creativity and
appeared "like magic”.
Are people genuinely making the assertion that musical creativity is demonically inspired because one might toss out the everyday words “like magic” to describe its arrival? Dylan didn’t say they were sprung from his Ouija board or from channeling spirits, he used a common cliché' that is used with utmost banality every day all over the world to talk about the sudden or mysterious appearance of something. i.e. " I'd been looking for that screwdriver everywhere, then like magic it appeared in my pocket"
To condemn the mysterious appearance of inspiration condemns virtually every musician in history. As any performing musician will tell you, there simply isn’t enough time to really “think” beforehand as you are playing. You just play. You just feel. Does that mean some devil is pulling the strings? Most songwriters have a similar experience as Dylan when writing good songs. You get inspired. You write it down. It often happens very quickly. You don’t know where it comes from. You assume it’s from the heart, or God, or the wind. Look at the words or the notes. Do they seem evil or don't they?
A house divided cannot stand. Either your work glorifies good things and dignifies the creation or it doesn’t. But the musician is in a peculiar spot in this world--he is a conduit for a truth called music.
Here is a vital quote from scripture concerning the great prophet Elisha.
Are people genuinely making the assertion that musical creativity is demonically inspired because one might toss out the everyday words “like magic” to describe its arrival? Dylan didn’t say they were sprung from his Ouija board or from channeling spirits, he used a common cliché' that is used with utmost banality every day all over the world to talk about the sudden or mysterious appearance of something. i.e. " I'd been looking for that screwdriver everywhere, then like magic it appeared in my pocket"
To condemn the mysterious appearance of inspiration condemns virtually every musician in history. As any performing musician will tell you, there simply isn’t enough time to really “think” beforehand as you are playing. You just play. You just feel. Does that mean some devil is pulling the strings? Most songwriters have a similar experience as Dylan when writing good songs. You get inspired. You write it down. It often happens very quickly. You don’t know where it comes from. You assume it’s from the heart, or God, or the wind. Look at the words or the notes. Do they seem evil or don't they?
A house divided cannot stand. Either your work glorifies good things and dignifies the creation or it doesn’t. But the musician is in a peculiar spot in this world--he is a conduit for a truth called music.
Here is a vital quote from scripture concerning the great prophet Elisha.
“But Elisha said, 'now bring me a minstrel'. And it came to
pass, when the minstrel played, that the hand of the LORD came upon him.”
2 Kings 3:15
In this scripture, music is obviously a contributor to the holy space of prophecy. And the implication is that Elisha enters a kind of holy trance induced by the power of music.
If David wrote the 23rd Psalm in ten minutes, would that surprise anyone? Would that he mean he was possessed? Such an assertion is preposterous. David and Elisha were men capable of touching the Holy Spirit. We have all been promised access to spirit. Spirit is all around us. What will become of us if we accuse everyone who goes into the space of the Holy Spirit of being possessed by demons?
There are those among us who are using this machine, this
international computer network, to attack the forces of good, the allies of
God. They need to be offered correction and a chance to recant their slanders.
If they decline that opportunity, all we can do is cease associating with them
and their poison.
Musicians are not channeling demons just because they perform music in a spiritual state that defies description. They are just doing what musicians have done for thousands of years, allowing their mind to take a backseat to spirit. It would seem that if you insult them, you might be insulting that spirit. Sure there's demonic music out there. We’ve all heard it. But it’s pretty obvious what it generally sounds like:
Satan got you by the heel, there’s a bird’s nest in your hair
Do you have any faith at all? Do you have any love to share?
The way that you hold your head,
cursin’ God with every move-
Ooh, I can’t stand it, I can’t stand it
What are you tryin’ to prove?
Musicians are not channeling demons just because they perform music in a spiritual state that defies description. They are just doing what musicians have done for thousands of years, allowing their mind to take a backseat to spirit. It would seem that if you insult them, you might be insulting that spirit. Sure there's demonic music out there. We’ve all heard it. But it’s pretty obvious what it generally sounds like:
Satan got you by the heel, there’s a bird’s nest in your hair
Do you have any faith at all? Do you have any love to share?
The way that you hold your head,
cursin’ God with every move-
Ooh, I can’t stand it, I can’t stand it
What are you tryin’ to prove?
Dead man, dead man
When will you arise?
Cobwebs in your mind
Dust upon your eyes
When will you arise?
Cobwebs in your mind
Dust upon your eyes
(Dead man--1980)
Dylan is likely the only man
in the history of popular entertainment to take a stand the way
he did at the height of his fame--- a stand for Jesus, for God, for a
Judgment Day where all our actions are brought into the light of the Creator.
He now is slandered by the machine that threatens to bring our enslavement. Is
that surprising?
What is that machine? If you want to know what I have to say, you can read
my book for free. "Real is Good—Reality, Freedom and The Computer
network." at http://sandonthebeast.blogspot.com/
For a variety of reasons I don't have time here to fully recount, I have come to the conclusion that the international computer network is becoming a tyranny--a tyranny that is at once political, social, cultural, psychological and spiritual. It is the summation and reorganization of all prior historical tyrannies made more effective and universal because it is being installed with our consent. Its already documented social dangers are a precursor to its inherent spiritual nature. It is installing itself fully and truly worldwide so that the story which must be told will be told. It is the final tyrant of the human story. All its symptoms of total surveillance, robotic nightmares, virtual realities, its accelerating attempts to blend man and machine, its addictive dreams that swallow freedom and our children’s minds are symptoms of one final awful disease, as the great riddles of the last pages of the Bible finally manifest in the land of the living. The net. The web. The trap is laid for freedom. This calls for some serious endurance of the saints. It's time to stay peaceful, think smart and let good music be on our side!
Sure, here comes the big villain-sort of just like we thought it might be:
“He’s a great humanitarian, a great philanthropist.
Sure, the other side is putting on a spooky show. But there is nothing to be scared of . It just is what It is. It cannot defeat the God of Love. This was written down a long time ago. There's a way to stay free. All said and done, Dylan gave us some good music. Thanks, Mr. Dylan. Adieu..
For a variety of reasons I don't have time here to fully recount, I have come to the conclusion that the international computer network is becoming a tyranny--a tyranny that is at once political, social, cultural, psychological and spiritual. It is the summation and reorganization of all prior historical tyrannies made more effective and universal because it is being installed with our consent. Its already documented social dangers are a precursor to its inherent spiritual nature. It is installing itself fully and truly worldwide so that the story which must be told will be told. It is the final tyrant of the human story. All its symptoms of total surveillance, robotic nightmares, virtual realities, its accelerating attempts to blend man and machine, its addictive dreams that swallow freedom and our children’s minds are symptoms of one final awful disease, as the great riddles of the last pages of the Bible finally manifest in the land of the living. The net. The web. The trap is laid for freedom. This calls for some serious endurance of the saints. It's time to stay peaceful, think smart and let good music be on our side!
Sure, here comes the big villain-sort of just like we thought it might be:
“He’s a great humanitarian, a great philanthropist.
He knows just how to touch you honey and
how you like to be kissed. He’ll put his arms around you, you can feel the tender touch of the beast,
You know, sometimes Satan come as a man of peace.”
(Man of Peace-1983)
Sure, the other side is putting on a spooky show. But there is nothing to be scared of . It just is what It is. It cannot defeat the God of Love. This was written down a long time ago. There's a way to stay free. All said and done, Dylan gave us some good music. Thanks, Mr. Dylan. Adieu..
Our fabulous new friend, the keeper of our little movie shows, the
worldwide temptation and self-esteem machine that has replaced our live
expressions of community, art, music, spirituality. That, my friends, is the
body and brain—the eternal prison-- of the beast. Trust me, I don't like to say it any more than you like to hear it.
And I wish I didn't have to say it over the internet itself ---but these days it's the only show left in town.
And I wish I didn't have to say it over the internet itself ---but these days it's the only show left in town.
It wants total control over the free will of man. It is demonstrating its power
to entrap, deceive and defame. We do not have to agree to its demands on us.
Pray to God. He loves us and does not want us enslaved. Stay strong and sane.
Keep a sense of humor, love your neighbor. Sing and dance as often as you can. Thank
you for listening.
Making Deals With a Digital Devil
Why the Astonishing Campaign of
Online False Witness
Against Bob Dylan Should Matter
to Us All
by Sand Sheff
written In November 2014
all Dylan quotes courtesy of
Special Rider Music SESAC
you can reach sand at
sandsheff1@yahoo.com